My review of last evening’s New York Philharmonic concert (the first subscription program under their new music director, Alan Gilbert) is live at ClassicalSource.com.
It’s been a while since I’ve heard the Barbirolli/Hallé Dvo?ák Symphony No.7 — recorded in 1957, originally issued on Pye and most recently available in an ultra-budget 3-fer from Disky. In some respects it was much as I remembered: the sound was both overmiked and very congested, and the playing was sometimes a bit too out of tune. The performance, however, was more satisfying than I had recalled: enormously energetic, strongly dramatic, and filled with more than the requisite number of “goosebump” moments. I’m very glad I gave this one another listen.
Shortly after the 1962 release of Otto Klemperer’s EMI/Columbia (UK) recording of Mahler’s Symphony No.4, musicologist Deryck Cooke recorded a program for the BBC Third Programme comparing Klemperer’s recordings to others, particularly Bruno Walter and Willem Mengelberg, in search of an “authentic” interpretive approach to Mahler.
Stokowski recalls the both the world premiere and American premiere of the work; from an interview recorded in the late 1960s. (Podcast is after the break.)